XXV. THE PITIFUL. - Thus Spake Zarathustra

My friends, there hath arisen a satire on your friend: "Behold Zarathustra! Walketh he not amongst us as if amongst animals?"

But it is better said in this wise: "The discerning one walketh amongst men AS amongst animals."

Man himself is to the discerning one: the animal with red cheeks.

How hath that happened unto him? Is it not because he hath had to be ashamed too oft?

O my friends! Thus speaketh the discerning one: shame, shame, shame--that is the history of man!

And on that account doth the noble one enjoin upon himself not to abash: bashfulness doth he enjoin on himself in presence of all sufferers.

Verily, I like them not, the merciful ones, whose bliss is in their pity: too destitute are they of bashfulness.

If I must be pitiful, I dislike to be called so; and if I be so, it is preferably at a distance.

Preferably also do I shroud my head, and flee, before being recognised: and thus do I bid you do, my friends!

May my destiny ever lead unafflicted ones like you across my path, and those with whom I MAY have hope and repast and honey in common!

Verily, I have done this and that for the afflicted: but something better did I always seem to do when I had learned to enjoy myself better.

Since humanity came into being, man hath enjoyed himself too little: that alone, my brethren, is our original sin!

And when we learn better to enjoy ourselves, then do we unlearn best to give pain unto others, and to contrive pain.

Therefore do I wash the hand that hath helped the sufferer; therefore do I wipe also my soul.

For in seeing the sufferer suffering--thereof was I ashamed on account of his shame; and in helping him, sorely did I wound his pride.

Great obligations do not make grateful, but revengeful; and when a small kindness is not forgotten, it becometh a gnawing worm.

"Be shy in accepting! Distinguish by accepting!"--thus do I advise those who have naught to bestow.

I, however, am a bestower: willingly do I bestow as friend to friends. Strangers, however, and the poor, may pluck for themselves the fruit from my tree: thus doth it cause less shame.

Beggars, however, one should entirely do away with! Verily, it annoyeth one to give unto them, and it annoyeth one not to give unto them.

And likewise sinners and bad consciences! Believe me, my friends: the sting of conscience teacheth one to sting.

The worst things, however, are the petty thoughts. Verily, better to have done evilly than to have thought pettily!

To be sure, ye say: "The delight in petty evils spareth one many a great evil deed." But here one should not wish to be sparing.

Like a boil is the evil deed: it itcheth and irritateth and breaketh forth--it speaketh honourably.

"Behold, I am disease," saith the evil deed: that is its honourableness.

But like infection is the petty thought: it creepeth and hideth, and wanteth to be nowhere--until the whole body is decayed and withered by the petty infection.

To him however, who is possessed of a devil, I would whisper this word in the ear: "Better for thee to rear up thy devil! Even for thee there is still a path to greatness!"--

Ah, my brethren! One knoweth a little too much about every one! And many a one becometh transparent to us, but still we can by no means penetrate him.

It is difficult to live among men because silence is so difficult.

And not to him who is offensive to us are we most unfair, but to him who doth not concern us at all.

If, however, thou hast a suffering friend, then be a resting-place for his suffering; like a hard bed, however, a camp-bed: thus wilt thou serve him best.

And if a friend doeth thee wrong, then say: "I forgive thee what thou hast done unto me; that thou hast done it unto THYSELF, however--how could I forgive that!"

Thus speaketh all great love: it surpasseth even forgiveness and pity.

One should hold fast one's heart; for when one letteth it go, how quickly doth one's head run away!

Ah, where in the world have there been greater follies than with the pitiful? And what in the world hath caused more suffering than the follies of the pitiful?

Woe unto all loving ones who have not an elevation which is above their pity!

Thus spake the devil unto me, once on a time: "Even God hath his hell: it is his love for man."

And lately, did I hear him say these words: "God is dead: of his pity for man hath God died."--

So be ye warned against pity: FROM THENCE there yet cometh unto men a heavy cloud! Verily, I understand weather-signs!

But attend also to this word: All great love is above all its pity: for it seeketh--to create what is loved!

"Myself do I offer unto my love, AND MY NEIGHBOUR AS MYSELF"--such is the language of all creators.

All creators, however, are hard.--

Thus spake Zarathustra.

XII. THE FLIES IN THE MARKET-PLACE.-Nietzsche

Flee, my friend, into thy solitude! I see thee deafened with the noise of the great men, and stung all over with the stings of the little ones.

Admirably do forest and rock know how to be silent with thee. Resemble again the tree which thou lovest, the broad-branched one--silently and attentively it o'erhangeth the sea.

Where solitude endeth, there beginneth the market-place; and where the market-place beginneth, there beginneth also the noise of the great actors, and the buzzing of the poison-flies.

In the world even the best things are worthless without those who represent them: those representers, the people call great men.

Little do the people understand what is great--that is to say, the creating agency. But they have a taste for all representers and actors of great things.

Around the devisers of new values revolveth the world:--invisibly it revolveth. But around the actors revolve the people and the glory: such is the course of things.

Spirit, hath the actor, but little conscience of the spirit. He believeth always in that wherewith he maketh believe most strongly--in HIMSELF!

Tomorrow he hath a new belief, and the day after, one still newer. Sharp perceptions hath he, like the people, and changeable humours.

To upset--that meaneth with him to prove. To drive mad--that meaneth with him to convince. And blood is counted by him as the best of all arguments.

A truth which only glideth into fine ears, he calleth falsehood and trumpery. Verily, he believeth only in Gods that make a great noise in the world!

Full of clattering buffoons is the market-place,--and the people glory in their great men! These are for them the masters of the hour.

But the hour presseth them; so they press thee. And also from thee they want Yea or Nay. Alas! thou wouldst set thy chair betwixt For and Against?

On account of those absolute and impatient ones, be not jealous, thou lover of truth! Never yet did truth cling to the arm of an absolute one.

On account of those abrupt ones, return into thy security: only in the market-place is one assailed by Yea? or Nay?

Slow is the experience of all deep fountains: long have they to wait until they know WHAT hath fallen into their depths.

Away from the market-place and from fame taketh place all that is great: away from the market-Place and from fame have ever dwelt the devisers of new values.

Flee, my friend, into thy solitude: I see thee stung all over by the poisonous flies. Flee thither, where a rough, strong breeze bloweth!

Flee into thy solitude! Thou hast lived too closely to the small and the pitiable. Flee from their invisible vengeance! Towards thee they have nothing but vengeance.

Raise no longer an arm against them! Innumerable are they, and it is not thy lot to be a fly-flap.

Innumerable are the small and pitiable ones; and of many a proud structure, rain-drops and weeds have been the ruin.

Thou art not stone; but already hast thou become hollow by the numerous drops. Thou wilt yet break and burst by the numerous drops.

Exhausted I see thee, by poisonous flies; bleeding I see thee, and torn at a hundred spots; and thy pride will not even upbraid.

Blood they would have from thee in all innocence; blood their bloodless souls crave for--and they sting, therefore, in all innocence.

But thou, profound one, thou sufferest too profoundly even from small wounds; and ere thou hadst recovered, the same poison-worm crawled over thy hand.

Too proud art thou to kill these sweet-tooths. But take care lest it be thy fate to suffer all their poisonous injustice!

They buzz around thee also with their praise: obtrusiveness, is their praise. They want to be close to thy skin and thy blood.

They flatter thee, as one flattereth a God or devil; they whimper before thee, as before a God or devil. What doth it come to! Flatterers are they, and whimperers, and nothing more.

Often, also, do they show themselves to thee as amiable ones. But that hath ever been the prudence of the cowardly. Yea! the cowardly are wise!

They think much about thee with their circumscribed souls--thou art always suspected by them! Whatever is much thought about is at last thought suspicious.

They punish thee for all thy virtues. They pardon thee in their inmost hearts only--for thine errors.

Because thou art gentle and of upright character, thou sayest: "Blameless are they for their small existence." But their circumscribed souls think: "Blamable is all great existence."

Even when thou art gentle towards them, they still feel themselves despised by thee; and they repay thy beneficence with secret maleficence.

Thy silent pride is always counter to their taste; they rejoice if once thou be humble enough to be frivolous.

What we recognise in a man, we also irritate in him. Therefore be on your guard against the small ones!

In thy presence they feel themselves small, and their baseness gleameth and gloweth against thee in invisible vengeance.

Sawest thou not how often they became dumb when thou approachedst them, and how their energy left them like the smoke of an extinguishing fire?

Yea, my friend, the bad conscience art thou of thy neighbours; for they are unworthy of thee. Therefore they hate thee, and would fain suck thy blood.

Thy neighbours will always be poisonous flies; what is great in thee--that itself must make them more poisonous, and always more fly-like.

Flee, my friend, into thy solitude--and thither, where a rough strong breeze bloweth. It is not thy lot to be a fly-flap.--

Thus spake Zarathustra.

THE TREE ON THE HILL. -Thus Spoke Zarathustra -Neiztche

VIII. THE TREE ON THE HILL.

Zarathustra's eye had perceived that a certain youth avoided him. And as
he walked alone one evening over the hills surrounding the town called "The
Pied Cow," behold, there found he the youth sitting leaning against a tree,
and gazing with wearied look into the valley. Zarathustra thereupon laid
hold of the tree beside which the youth sat, and spake thus:

"If I wished to shake this tree with my hands, I should not be able to do
so.

But the wind, which we see not, troubleth and bendeth it as it listeth. We
are sorest bent and troubled by invisible hands."

Thereupon the youth arose disconcerted, and said: "I hear Zarathustra, and
just now was I thinking of him!" Zarathustra answered:

"Why art thou frightened on that account?--But it is the same with man as
with the tree.

The more he seeketh to rise into the height and light, the more vigorously
do his roots struggle earthward, downward, into the dark and deep--into the
evil."

"Yea, into the evil!" cried the youth. "How is it possible that thou hast
discovered my soul?"

Zarathustra smiled, and said: "Many a soul one will never discover, unless
one first invent it."

"Yea, into the evil!" cried the youth once more.

"Thou saidst the truth, Zarathustra. I trust myself no longer since I
sought to rise into the height, and nobody trusteth me any longer; how doth
I change too quickly: my to-day refuteth my yesterday. I often overleap
the steps when I clamber; for so doing, none of the steps pardons me.

When aloft, I find myself always alone. No one speaketh unto me; the frost
of solitude maketh me tremble. What do I seek on the height?

My contempt and my longing increase together; the higher I clamber, the
more do I despise him who clambereth. What doth he seek on the height?

How ashamed I am of my clambering and stumbling! How I mock at my violent
panting! How I hate him who flieth! How tired I am on the height!"

Here the youth was silent. And Zarathustra contemplated the tree beside
which they stood, and spake thus:

"This tree standeth lonely here on the hills; it hath grown up high above
man and beast.

And if it wanted to speak, it would have none who could understand it: so
high hath it grown.

Now it waiteth and waiteth,--for what doth it wait? It dwelleth too close
to the seat of the clouds; it waiteth perhaps for the first lightning?"

When Zarathustra had said this, the youth called out with violent gestures:
"Yea, Zarathustra, thou speakest the truth. My destruction I longed for,
when I desired to be on the height, and thou art the lightning for which I
waited! Lo! what have I been since thou hast appeared amongst us? It is
mine envy of thee that hath destroyed me!"--Thus spake the youth, and wept
bitterly. Zarathustra, however, put his arm about him, and led the youth
away with him.

And when they had walked a while together, Zarathustra began to speak thus:

It rendeth my heart. Better than thy words express it, thine eyes tell me
all thy danger.

As yet thou art not free; thou still SEEKEST freedom. Too unslept hath thy
seeking made thee, and too wakeful.

On the open height wouldst thou be; for the stars thirsteth thy soul. But
thy bad impulses also thirst for freedom.

Thy wild dogs want liberty; they bark for joy in their cellar when thy
spirit endeavoureth to open all prison doors.

Still art thou a prisoner--it seemeth to me--who deviseth liberty for
himself: ah! sharp becometh the soul of such prisoners, but also deceitful
and wicked.

To purify himself, is still necessary for the freedman of the spirit. Much
of the prison and the mould still remaineth in him: pure hath his eye
still to become.

Yea, I know thy danger. But by my love and hope I conjure thee: cast not
thy love and hope away!

Noble thou feelest thyself still, and noble others also feel thee still,
though they bear thee a grudge and cast evil looks. Know this, that to
everybody a noble one standeth in the way.

Also to the good, a noble one standeth in the way: and even when they call
him a good man, they want thereby to put him aside.

The new, would the noble man create, and a new virtue. The old, wanteth
the good man, and that the old should be conserved.

But it is not the danger of the noble man to turn a good man, but lest he
should become a blusterer, a scoffer, or a destroyer.

Ah! I have known noble ones who lost their highest hope. And then they
disparaged all high hopes.

Then lived they shamelessly in temporary pleasures, and beyond the day had
hardly an aim.

"Spirit is also voluptuousness,"--said they. Then broke the wings of their
spirit; and now it creepeth about, and defileth where it gnaweth.

Once they thought of becoming heroes; but sensualists are they now. A
trouble and a terror is the hero to them.

But by my love and hope I conjure thee: cast not away the hero in thy
soul! Maintain holy thy highest hope!--

Thus spake Zarathustra

Sonnet 35 - Shakespiere

No more be grieved at that which thou hast done:
Roses have thorns, and silver fountains mud;
Clouds and eclipses stain both moon and sun,
And loathsome canker lives in sweetest bud.
All men make faults, and even I in this,
Authorizing thy trespass with compare,
Myself corrupting, salving thy amiss,
Excusing thy sins more than thy sins are;
For to thy sensual fault I bring in sense--
Thy adverse party is thy advocate--
And 'gainst myself a lawful plea commence:
Such civil war is in my love and hate
That I an accessary needs must be
To that sweet thief which sourly robs from me.

مه - شاملو

 

این را گوش می کنم.  زیباست آنقدر که دیوانه ام می کند وسعی می کنم با شاعر بخوانم. آهسته می خوانم چون اینجا دفتر کار است و بچه ها هستند ولی ظاهرا از کنترلم خارج می شود. جولی بر می گردد که اگر می خواهی با علی صحبت کنی لازم نیست آرام باشد. می گویم که نه، با علی نبود. این شعر است که دیوانه ام کرده. می گوید که  می خواهد بشنود و شنیدن فارسی را دوست دارد. می شنود و می پرسد چه می گوید. ترجمه می کنم. بعد می پرسد که این مه چیست و این بیابان. من و علی می گوییم بیابان بایدجامعه ی تاریک شده باشد از ستم و خفگی و مه؟ مه کارکرد دوگانه دارد، هم تیرگی می آورد و هم این تیرگی است که پناه مردان شجاع می شوند تا به عزیزانشان بپیوندند.  

جولی می گوید که این بیابان تب دارد گویا و مریض است. فکر می کنم و می گویم مریض کلمه ی خوبی است برای آن. آری کلمه ی خوبی است. و مه؟ می گوید که مه مثل عرق تب را پایین نگاه می دارد تا مریض نمیرد. می گویم جالب است پس  به نظر تو قرار نیست هم نقش منفی  داشته باشد هم مثبت. در همه ی شعر مثبت است. می گوید که به هر حال نشانه ی بیماری است. 

 

هیچوقت از  جولی این همه خوشم نیومده بود.

بیابان را سراسر مه فرا گرفته است.
چراغ قریه پنهان
است
موجی گرم در خون بیابان است
بیابان، خسته
لب بسته
نفس بشکسته
در
هذیان گرم عرق می ریزدش آهسته
از هر بند.


بیابان را سراسر مه گرفته است. می گوید "به خود
عابر"
سگان قریه خاموشند.
در شولای مه پنهان، به خانه می رسم. گل کو نمی
داند. مرا ناگاه
در درگاه می بیند. به چشمش قطره
اشکی بر لبش لبخند، خواهد
گفت:
- بیابان را سراسر مه گرفته است... با خود فکر می کردم که مه، گر
همچنان
تا صبح می پائید مردان جسور از
خفیه گاه خود به دیدار عزیزان باز می
گشتند.


بیابان را
سراسر
مه گرفته است.
چراغ قریه پنهانست، موجی
گرم در خون بیابان است.
بیابان، خسته لب بسته نفس بشکسته در هذیان گرم مه عرق می
ریزدش
آهسته از هر بند...

شراب‌خورده‌ی ساقی ز جامِ صافیِ وَصل

غمِ زمانه خورم یا فراقِ یار کشم

به طاقتی که ندارم کدام بار کشم
نه قوّتی که توانم کناره‌ جستن از او
نه قدرتی که به شوخیش در کنار کشم
نه دست صبر که در آستینِ عقل برم
نه پای عقل که در دامنِ قرار کشم
ز دوستان به-جفا-سیرگشت مردی نیست
جفایِ دوست زنم گر نه مردوار کشم
چو می​توان به صبوری کشید جورِ عدو
چرا صبور نباشم که جورِ یار کشم
شراب‌خورده‌ی ساقی ز جامِ صافیِ وَصل
ضرورتست که دردِ سرِ خُمار کشم
گلی چو رویِ تو گر در چمن به دست آید
کمینه دیده‌ی سعدیش پیشِ خار کشم

باران

و شایسته این نیست

که باران ببارد

و در پیشوازش دل من نباشد

و شایسته این نیست

که در کرت های محبت

دلم را به دامن نریزم

دلم را نپاشم

چرا خواب باشم

ببخشای بر من اگر بر فراز صنوبر

تقلای روشنگر ریشه ها را ندیدم

ببخشای بر من اگر زخم بال کبوتر

به کتفم نرویید

کجا بودم ای عشق؟

چرا چتر بر سر گرفتم؟

چرا ریشه های عطشناک احساس خود را

به باران نگفتم؟

چرا آسمان را ننوشیدم و تشنه ماندم؟

ببخشای ای عشق

ببخشای بر من اگر ارغوان را ندانسته چیدم

اگر روی لبخند یک بوته

آتش گشودم

اگر ماشه را دیدم اما

هراس نگاه نفس گیر آهو

به چشمم نیامد

ببخشای بر من که هرگز ندیدم

نگاه نسیمی مرا بشکفاند

و شعر شگرف شهابی به اوجم کشاند

و هرگز نرفتم که خود را به دریا بگویم

و از باور ریشه ی مهربانی برویم


کجا بودم ای عشق؟

چرا روشنی را ندیدم؟

چرا روشنی بود و من لال بودم؟

چرا تاول دست یک کودک روستایی

دلم را نلرزاند؟

چرا کوچه ی رنج سرشار یک شهر

در شعر من بی طرف ماند؟


چرا در شب یک جضور و حماسه

که مردی به اندازه ی آسمان گسترش یافت

دل کودکی را ندیدم که از شاخه افتاد؟

و چشم زنی را که در حجله ی هق هقی تلخ

جوشید و پیوست با خون خورشید؟




شعر از محمدرضا عبدالملکیان

چه بی‌تابانه می‌خواهمت!

چه بی تابانه می خواهمت


ای دوریت آزمون تلخ زنده به گوری!


چه بی تابانه تو را طلب می کنم!


بر پشت سمندی


گویی، نو زین


که قرارش نیست


و فاصله


تجربه ئی بیهوده ست


بوی پیرهنت


این جا، واکنون...


کوه ها در فاصله


سردند


دست، در کوچه و بستر


حضور مانوس دست تو را می جوید


و به راه اندیشیدن


یاس را، رج می زند


بی نجوای انگشتانت


فقط...


و جهان از هر سلامی خالی است

Christian Bok

این اولین بار بود که با شعر صوتی یا Sound Poetry آشنا می شدم، یه جورایی شب شعر باحالی بود.